Jakiej muzyki słuchacie?

[Tomassen]

Breakthru napisał(a):Wiesz, takie rankingi w sferze sztuki, która z natury jest subiektywna, są z góry skazane na porażkę i nie ma co sobie psuć wątroby przejmując się nimi.

Zgadza się, ale chciałbym, żeby napisano gdzieś uzasadnienie dla 24. miejsca The Edge'a i 12. miejsca Cobaina i braku tych nazwisk, który wymieniłem.

I dziwi mnie też wysoka, 18. pozycja Johna Frusciante

Dobrze, że chociaż Knopfler jest.

EDIT:

Cytat:Rarely has a guitarist achieved so much by playing so little. Most of what the Edge (real name Dave Evans) played on U2's early albums, from Boy in 1980 to the '87 global smash The Joshua Tree, can be described thusly: circular skeletal arpeggios swimming in oceans of reverb; few conventional chords or solos. But the elegant urgency of the Edge's minimalism on those records perfectly framed and fueled the earnest, flag-waving theatricality of Bono's voice. With U2's swerve into apocalyptic dance music on 1991's Achtung Baby, the Edge coated his riffs in extreme distortion and electronic treatments but without betraying his playing credo: Less is most.

Cytat:In 1989, Eighteen-year-old John Frusciante, a bedroom-guitar prodigy from California's San Fernando Valley who had never played in a group before, auditioned for his favorite band, the Red Hot Chili Peppers. He got the job — replacing Hillel Slovak, who died of a drug overdose in 1988 — and transformed the Peppers' rascally punk funk into beefy arena pop. On the 1992 multiplatinum album, BloodSugarSexMagik, Frusciante fortified the band's bone-hard grooves with a mix of Hendrixian force and, in the hit ballad "Under the Bridge," poignant Beatlesque melody. When Frusciante abruptly quit the Peppers in the middle of a Japanese tour in 1992, he left a big hole in the group's sound that was only filled with his drug-free return on the Peppers' 1999 comeback album, Californication.

[/quote]"Grunge" was always a lousy, limited way to describe the music Kurt Cobain made with Nirvana and, in particular, his discipline and ambition as a guitarist. His cannonballs of fuzz and feedback bonfires on 1991's Nevermind announced the death of 1980s stadium guitar rock. Cobain also reconciled his multiple obsessions — the Beatles, hardcore punk, the fatalist folk blues of Lead Belly — into a truly alternative rock that bloomed in the eccentric, gripping hooks and chord changes of "Smells Like Teen Spirit" and "Come as You Are." Recorded six months before Cobain's suicide in 1994, MTV Unplugged in New York reveals, in exquisite acoustic terms, the craft and love of melody that illuminated his anguish.[/quote]

Cała lista: <a class="postlink" href="http://www.rollingstone.com/music/lists/100-greatest-guitarists-20111123">http://www.rollingstone.com/music/lists ... s-20111123</a>